Bob's Eye on the Northeast

A Haven for Science at Work

Our English word “haven” derives from the Germanic word “Hafen” for a harbor, and historically Woods Hole was settled and developed as a haven, a safe harbor, for ships and smaller craft. Over the past century and a half, Woods Hole has also become a haven for science, particularly for doing science:, whether expanding and refining our current science through research or applying scientific knowledge to understand and solve societal problems. The Marine Biological Laboratory (MBL) set up shop here in 1885 as a research laboratory for the Fish Commission under the U.S. Department of Commerce, the predecessor of today’s NOAA Fisheries agency. On this visit, only MBL’s Pierce Center, on Water Street below the drawbridge, was open to visitors. It’s a must-stop if you want to know what makes Woods Hole tick.

(Left) Eel Pond seen from the drawbridge that opens to let boats enter or leave this safe harbor, or “hole.” Surrounding Eel Pond on three sides are buildings used by MBL, WHOI, or NOAA Fisheries. (Right) Exhibits at the Pierce Center include this axolotl, a Mexican salamander that is being studied for its ability to regenerate inner organs as well as any of its limbs. The aim is to learn more about organ and limb regeneration processes that can help human healthcare.

Intermingled with the MBL buildings within the village are laboratories and working offices of the Woods Hole Oceanographic Institution (WHOI). Founded in 1930, WHOI resulted from recommendations of a National Academy of Sciences study committee on oceanography, led by then-director of MBL, Frank Lillie. Initial operations, including construction of a research vessel and buildings for offices and research, were funded by the Rockefeller Foundation. During World War II, the U.S. Navy became a major sponsor, and after the National Science Foundation (NSF) was established by Congress in 1950, NSF became a second major sponsor. Along with all its ocean exploration and research conducted from surface ships, WHOI pioneered and continues to advance the technology for and scientific application of deep-diving manned and unmanned undersea vehicles. In 1985, WHOI teamed with the French National Institute of Oceanography in the successful search for the wreck of the R.M.S. Titanic. That effort brought a surge of fame, but more important to paradigm-changing scientific work has been WHOI’s role in exploring and sampling deep-ocean hydrothermal vents. Education is a major pillar of WHOI’s mission; its early programs of summer internships evolved by 1968 into a Joint Program in Oceanography with the Massachusetts Institute of Technology, training and providing research opportunities for new generations of ocean-oriented scientists.

A close-up photo of a colony of tube worms living on the side of a hydrothermal vent more than 2 miles deep in the ocean. Photos and video clips of deep-ocean exploration, the wreckage of the Titanic, and much more from WHOI expeditions can be experienced at the Discovery Center on School Street.

Jennifer’s favorite science building in the village is the Woods Hole Science Aquarium maintained by NOAA Fisheries. It’s the oldest public aquarium in the nation, though it unfortunately was closed due to COVID-19 restrictions on this visit. What Jennifer loves the most is being able to wander among the tanks and peer in, close up, at the specimens kept here for marine biological studies in support of maintaining sustainable fisheries and healthy marine ecosystems.

For my part, I first came to Woods Hole in the summer of 1991, not for any of its ocean-oriented science institutions but as a new employee of a fourth science-based institution, the National Research Council (NRC) of what is now called the National Academies of Science, Engineering, and Medicine. During the 5 years I was on the NRC staff, I came to Woods Hole 3 or 4 times a year to participate in conferences and study committee meetings held at the Jonsson Center, a conference and event venue owned by the National Academies and located at Quissett Harbor, a mile or so north of the village. After I returned to free-lance technical writing, I continued to visit Woods Hole at least once a year for another decade, to help NRC study committees develop their reports or to write the summary of board meetings. On most of these visits, I stayed at the Sands of Time Motor Inn, a couple hundred yards above the village, where Jennifer and I stayed once more on this visit. We were delighted that, unlike our honeymoon B n B in Wellfleet, the Sands of Time has kept all its charm while upgrading its facilities and room furnishings. And on most of my working visits, I had at least one delicious seafood meal at the Fishmongers Café, on Water Street just before the drawbridge. Jennifer and I ate in that same building again on this trip, though it now houses a higher-end restaurant, the Water Street Kitchen.

(Left) The Sands of Time Motor Lodge sign along the Falmouth Road, seen from the balcony of our room. (Right) View from the drawbridge of the former Fishmongers Café, now Water Street Kitchen.

As we departed from the Sands of Time and Woods Hole, Jennifer and I drove out to the Jonsson Center (now for sale) long enough to take a photo of the main house, where I had eaten many meals and worked on many NRC reports. And I saw, one more time, the carriage house in whose large conference room I was covering a meeting for the Board on Army Science and Technology on September 11, 2001. That morning, the meeting agenda was interrupted as the retired Army officers on the board received urgent messages about the attacks on the World Trade Center and the Pentagon. An unusual quiet came over that group, and I could feel the tension of military leaders preparing once more to take on a hostile force while still fearing what might have befallen their comrades, friends, and family in harm’s way.

The main house (left) and the carriage house (right) at the National Academies’ Jonsson Center.

I thought about that fateful morning and all my other visits to Woods Hole as Jennifer and I walked along the Shining Sea bike path—built on the bed of the old railroad that once ran to Woods Hole and where Katherine Lee Bates found inspiration for the “sea to shining sea” line in her poem, “Ámerica the Beautiful.” I remembered my early-morning or evening runs on that bike path, 3 miles to the Falmouth road and back, to prepare for or relax from a day’s work at the center. Even though Heraclitus was right in some sense and there have been changes even here in Woods Hole, at least I can still relive the times I had on these slowly shifting sands.

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Jen's Eye on the Northeast

Edith Wharton and a Trip to The Mount

A key reason why “The Mount,” Edith Wharton’s home from 1902 to 1911, became part of our itinerary on this Northeast Tour is that my book club chose her book The Age of Innocence as our September selection, and I got to lead the discussion. Reading about the author in preparation, I found Wharton intriguing, a unique independent woman in her time and an intellectual way ahead of it. She was a woman of means as well, undeniably a part of the social elite she ridicules in her 1920 best-seller.

Wharton was born in 1862 into a conservative New York City society, where it was thought women had no need for education other than “finishing” school. It is hard to imagine how women like Wharton must have struggled in a culture like that, where money or power or intellectual pursuits were the sole domain of men. Women—to the extent they could—had these things only as conferred by the men in their lives. What becomes clear when visiting The Mount is its importance both as an historic site and as a center for culture inspired by the passions and achievements of Edith Wharton.

The room at The Mount that best embodies Wharton’s intellectual ambitions is her library, which has recently acquired many of the original books she had kept there, books that contain her notations in the margins.

Although her mother discouraged it, young Edith loved nothing more than spending hours in her father’s library, which she referred to as her “secret garden,” a place where she could indulge her imagination. Here’s what she writes about it:

“Whenever I try to recall my childhood it is in my father’s library that it comes to life. I am squatting on the thick Turkey rug . . . dragging out book after book in a secret ecstasy of communion . . . There was in me a secret retreat where I wished no one to intrude.”

The Mount also reflects Wharton’s taste and preference for clean lines and harmony. This is seen in its architectural style, interior decor, and surrounding gardens. Indeed her first published book, titled The Decoration of Houses, is an instruction manual on how readers of her day might avoid ending up with a tacky, overly gilded, cluttered, and stylistically claustrophobic “McMansion,” as we would say nowadays.

In The Age of Innocence, Wharton continues this theme with close and cutting critiques of her characters and their social norms, often using detailed descriptions of their tasteless interiors as her weapon of choice. An insider’s expose, The Age of Innocence sold 115,000 copies its first year, earning Wharton enough to buy a second home in France, which ultimately became her permanent residence. Why was this book so popular? Perhaps for the same reasons we like to peer into the lives of the rich and famous today, swoon at their extravagant lifestyles, and secretly celebrate the fact that their fortune and fame don’t seem to bring them happiness.

The Mount is a monument to Edith Wharton’s victory over a culture and a time that would otherwise have relegated her to a stifling marriage (she divorced her unfaithful husband), a life of “stuff” over more meaningful pursuits (she wrote 40 books in 40 years), and an empty legacy as just another rich lady brought up in the gilded age. In contrast, she was the first woman to win a Pulitzer Prize for literature and the first to receive an honorary doctorate from Yale. Thank you, Edith Wharton, for your inspiration and for leaving us your home, The Mount, so we might know you better.

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Bob's Eye on the Northeast

Can You Walk the Same Seashore Twice, or Stay at the Same B ‘n B?

Heraclitus of Ephesus, a Greek philosopher who lived a century before Socrates, said, “No man can step in the same river twice.” One interpretation of this epithet (he was called “Heraclitus the Obscure”) is that a river constantly flows and changes—so the water you step into the second time is not the same water you stepped into before. Another fragment from Heraclitus is “Everything flows.”

If Heraclitus had been with Jennifer and me on this visit to the Cape Cod National Seashore, nine years after our previous visit, he might have said, “See, I told you, you can’t walk the same seashore twice.” The tides wash up and down, shifting sand and stones, subtly resculpting the intertidal zone every day. Seasonal storms blast the dune cliffs with waves, rain, and wind. The Atlantic Ocean constantly eats away at the sandy land that stands against her here. The last fragments of concrete footings from Marconi’s trans-Atlantic wireless station to England are perilously close to falling off the dune’s edge and tumbling onto the sandy beach below. Everything flows.

The sandy dune cliffs rising above the Cape Cod National Seashore seem imposing to a human, but the Atlantic in its wilder tantrums rips away at them, spilling their substance onto the beaches, then flowing their sand southward as the chain of barrier islands stretching to Florida.

(Left) Stranded ocean jellies (formerly called “jellyfish”) punctuate the pattern of rivulets etched in the beach sand by the outgoing tide. (Right) In the salt ponds forming the shore near Eastham, ocean and land seem at peace, mingling in a ying-yang of an important, complex, and productive ecosystem—if only human enterprise can stop interfering.

This was my fifth visit to this National Park seashore. On each return, much has been familiar, remembered. But there have also been many differences. Perhaps I’m noticing things I don’t remember; perhaps the seashore has changed from visit to visit. Perhaps even my memories are changing as I age. Everything flows, including me and my sense of self.

When Jennifer and I hatched the idea for this trip, the key goal was to revisit the B ‘n B–style inn in Wellfleet on Cape Cod where we stayed on our honeymoon in 2012. Via the web, I learned that the inn had been sold to new owners a couple years after our visit. I located the room that looked most like the room in which we had stayed and requested to reserve it. The reservation was confirmed; we thought we would be stepping back into that same memorable location, changed only by some upgrading of décor and furnishings by the new owners. Time is cruel. We arrived to find that our “contactless check-in” directed us to a different room than the one requested. With much texting and calling, we did manage to get moved to our requested room for the second night of our stay. Both rooms were smaller than we remembered, less accommodating than the hotel/motel rooms we had been staying in previously on this trip. The anticipated upgrade of the facility turned out to be superficial at best. And then the do-it-yourself coffee in the communal kitchen ran out on the second morning. Everything flows, and sometimes the flow is downhill.

The old inn at the entrance to the town of Wellfleet, now a B n B, where Jennifer and I stayed on our honeymoon in 2012 and tried to revisit on this trip

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Jen's Eye on the Northeast

Newport—Island by the Sea

Newport, Rhode Island

What an enchanting place, and one I’d never visited before. Newport, RI, has much to offer, but I will touch on just three themes here, because these are the things that struck me: the colonial houses, the “cottages,” and the sailing.

Colonial Houses Galore

Newport has the highest concentration of colonial homes in the nation. We Virginians  think we have old homes from Colonial times, but when it comes to houses per block, Newport has us beat by a mile. Walking around Newport, I was astounded at how many buildings, homes, and structures still stand from more than 250 years ago, before the American Revolution.

Some old houses remain as they have gracefully aged; many others have been restored, either in the late 20th century through grants from Newport resident Doris Duke and the Newport Restoration Foundation (NRF) or through the preservation efforts of other organizations.

These two pictures show the original design of several;“first-period”-Georgian colonial homes (left)  and the same style restored (right). The restrained simplicity of many of these homes (and their furnishings) is likely due to the strong influence of the Quakers who founded and populated Newport in the 18th century. The purest first-period style has no columned portico; addition of such ornamentation makes a home “Georgian.”

Click here to see the different styles of early Newport architecture.

Frances Malbone House.392 Thames Street

The Francis Malbone House is an example of a mid-1700’s Georgian architecture style. It was designed by Peter Harrison, a prominent architect in Newport at the time.

The Cottages (aka Mansions) of Newport

The mansions of Newport were originally built to be the summer “cottages” for the nation’s wealthy, who came here to escape the sultry summers of the cities where they had their “town homes.” (Note: The Age of Innocence by Edith Wharton describes this annual pilgrimage in detail.) Mansion-building in Newport started in the late 1800s, during the Gilded Age, when the wealthy competed for who would have the loveliest (and most ostentatious) home, built on rolling greens next to the ocean. So calling them “cottages” is a euphemism bordering on insincerity. Some of the family names of their first owners you will recognize—Vanderbilts, Morgans, Astors—but many others you won’t know unless you take a trolley tour! Between May and October, Newport offers many mansion tours, with trolleys or buses leaving the city transportation center every 20 minutes. It’s a thing here. Looking at these amazing homes today draws you into the opulence of that time, the Great Gatsby-esque extravagance, the parties and balls, the yachts and the tennis.

Some mansions are so large, I’m sure you could get lost in them; others, though still considered a Newport cottage, are more modest and are noted for the stories (a mix of history and gossip) associated with them.

Cruising and Sailing

I highly recommend when you’re in Newport that you take one of the Narragansett Bay cruises. Aboard the “Coastal Queen,” we had a guided tour of scenic Newport Harbor and the Bay from the water, while our guide described the lighthouses, cottages, and historic forts from this bay-side perspective. Here he is below, along with Bob and me onboard:

Along with the historic church steeples, the Jamestown, RI, shoreline, the Newport-Jamestown Pell Bridge, the Newport Harbor cottages, the mega-yachts of the mega-rich, and the lobster and fishing vessels traversing the East Passage, we saw the most beautiful sailboats! (See below.) And so much more.

After a day in Newport, you may find yourself wanting to embrace the sailing lifestyle. Indeed, Narragansett Bay is a world-class sailing mecca, owing to its afternoon sea breezes and calm, cool nights. And though it’s the smallest state in the nation by area, Rhode Island is known as the Ocean State, boasting 400 miles of coastline with many picturesque harbor towns tucked into it, along with Newport.

Out on the water or close to it, you see all types of crafts, including traditional schooners, mega yachts, Navy ships, lobster and fishing vessels, and small dories and skiffs.

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Bob's Eye on the Northeast

Storm King, at Last

Though Storm King Art Center opened to the public in 1960, I first heard of it around 1967, about the time its collection of contemporary sculpture burst beyond the lawns adjoining the small (by Storm King standards) Museum Building and spread into the open Hudson highland landscapes surrounding the museum. By then, I was in college in Massachusetts, and though I drove by Storm King Mountain at times on Route 9W east of the center or occasionally glimpsed a sculpture from the New York State Thruway west of it, I never got around to visiting the Art Center—until now.

We spent a full day, 7½ hours, at the Art Center. We would need at least another half-day to experience everything currently on display. And even that would be just one experience, on two days in one season of one year. I grew up hiking and camping in these hills and mountains; you don’t just “see” the landscapes and vistas of the Hudson Valley, you feel them with all your senses as you climb and descend, traverse meadows and wooded hills, all the while being touched by sun and weather. At Storm King, you can experience the art similarly if you leave your car and walk out and around the large pieces in the Meadows and the South Fields or catch changing perspectives on the smaller pieces installed in the North Woods and on Museum Hill.

As we navigated the diverse sections of the 1,100-acre exhibit space, I noted the dates when pieces were created and installed. I could feel (with all those senses!) how the center has grown and evolved in its purpose of marrying human-created three-dimensional art (a.k.a. “sculpture”) with natural landscapes. The marriage (actually many marriages, one for each work) succeeds. And for most of these creations, you need to feel them in four dimensions; you need to walk around them, move closer and then step backward to gain distance, experience them as a flowing set of perspectives integrated through time as well as in space.

(Above) Two views of Mother Peace (1969-1970) by Mark Di Suvero

(Above) Suspended (1977) by Menashe Kadishman, viewed from the hills west and east of it. There is nothing else aboveground holding the sculpture in place other than the two blocks you see.

This fall, Storm King has 10 works by the American artist Mark Di Suvero installed in the South Fields. They are large works (see the photos here and in Jennifer’s post on Storm King; Di Suvero uses cranes and cherry picker trucks to install them. But Di Suvero puts these works in a perspective worth contemplating:

“People call my sculptures “large.” But you know, they’re not large… Any of my pieces…next to a mountain is a crumb. And a mountain is nothing, if you take a whole mountain and drop it in the ocean, the ocean barely rises. And the ocean is a very small thing next to the planet. Our planet is barely a dot on the Sun, and there are billions of suns in the world. So the biggest thing we can see in the world is a star.”

I listened to an audio recording of Di Suvero saying this as I walked around Neruda’s Gate (photo below). His perspective led me to see the oblique beam of that piece as a “star pointer”—directing my gaze to some vast, distant star, or maybe an entire galaxy or nebula.

Go visit Storm King if you want to feel, not just see, how sculpture like this can be right-sized in a setting that humbles your ego and reminds you of your place in the universe.

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Jen's Eye on the Northeast

Exploring Art in Nature

Going from Longwood Gardens in Kennett Square, PA, to the Storm King Art Center in New Windsor, NY, makes for a perfect transition—from seeing endless beauties of nature (e.g., flowers, plants, trees) in largely (and very large) manicured precincts to seeing beautiful (and very large) works of art in an endless outdoor landscape.

The bond between art, nature, and people is palpable at Storm King, which situates large-scale sculpture throughout an expansive landscape. Storm King creates a dynamic experience that compels you to interact with the art. Wear comfy shoes, however, because you will have to walk apace to see it all.

Walking through this wondrous landscape, you quickly see that Storm King is sincere in saying the center “values relationships with artists and encourages development of their ideas and practices.” This intent was especially clear with the first works we encountered, a special exhibition by Sarah Sze of her works “Fifth Dimension” and “Fallen Sky.” Hear what the artist says about her piece by clicking on the picture below.

Fallen Sky by Sarah Sze

After more than 60 years since it first opened to the public, Storm King Art Center continues to grow and evolve, recognized as one of the world’s leading sculpture parks. To hear short descriptions of the pieces, most from the artists themselves, click on my photos below. Look for a narrow black audio “play” bar on some of the links.

Figolu by Mark Di Suvero (2005-2011)
Suspended by Menashe Kadisman (1977)
Sea Change by George Cutts (1976)

More “Sea Change” details here.

E=mc2 by Mark Di Suvero (1996-1997)
Frog Legs by Mark Di Suvero (2002)
The Arch (2 views) by Alexander Calder (1975)
Five Open Squares Gyratory Gyratory by George Rickey (1961)

More detail on “Five Open Squares” here.

The Iliad by Alexander Liberman (19974-1976)

You can listen to more interviews with the Storm King artists here. And don’t forget to stop at Storm King Art Center on your next trip north.

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Jen's Eye on the Northeast

A Garden of Delights

I never really considered myself overly enamored of big botanical gardens, and I’ve seen many varieties, from those across Europe to the New York Botanical Garden in the Bronx to the Revolutionary American gardens at Monticello. But man oh man, nothing I’ve seen compares to Longwood Gardens in unassuming Kennett Square, PA. Longwood consists of approximately 1,100 acres of flower gardens, woodlands, Italian-style water gardens, rolling meadows, baroque fountain displays, and more.

Walking through the major areas of Longwood is a journey in diversity, as you wind along paths of expansive horticultural beds with stunning flowers, luxuriant vines, exotic (and huge) tropical plants, flowering shrubs, ancient trees, and unique water features. Take a turn and you’re crossing a meadow of astounding beauty, raw in its natural quality. Take another turn and you’re staring up at a treehouse built entirely of recycled wood, perched aloft to afford the best forest views. Keep going and you arrive at the Conservatory, which houses a jaw-dropping array of botanical beauty, including walls of orchids and ferns of every variety, flowering lilies, prehistoric trees, and oversized hanging flower baskets that look like they belong to a giant.

But enough description. This is a truly a case of “a picture is worth 1,000 words,” so please enjoy my photo memoir below.

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Bob's Eye on the Northeast

Rediscovering Longwood Gardens

Once before this trip I visited Longwood Gardens—in 2008 with my mother and kid brother (the kid who is now 63) on what would be her last trip back from Florida to the Hudson Valley, where I grew up. Mom needed a wheelchair on that visit, so we stayed on paved paths with easy grades and no stairs. We first turned east to the Flower Garden Walk as far as the Italian Water Garden, then headed west to the Conservatory, the Main Fountain Garden, Topiary and Rose Gardens, and the manicured, tree-shaded hillside planting beds surrounding the Chimes Tower.

Jennifer and I visited those areas of Longwood on this trip as well, but we added two areas inaccessible by wheelchair, which I had not seen on that first trip. From the Italian Water Garden, we climbed a path through Peirce’s Wood, heading for the Meadow Garden. From a hillside overlooking the meadow, we could scan its entire expanse.

Descending into the meadow, we walked a mowed pathway to where meadow met forest, then traced along the forest-meadow boundary until we entered the main part of Peirce’s Wood. Meadow and wood were a native, natural, unconstrained though not quite wild, complement to the manicured, Old World gardens and imposing Conservatory building, with its human-dependent displays of tropical and subtropical plants and trees.  They brought me back to the fields and forests of my youth.

Smartphone technology enabled another mind-bending change from my first visit. Along the wooded pathway to the meadow, I used PictureThis, a plant identification app on my iPhone, to ID native plants that may work in our own yard. I could quickly find not just the name of a flower, shrub, or tree in any of the gardens but also check on its provenance—was it native or from a foreign land?—and it’s potential suitability for growing in our own little greenspace at home. I discovered how different it is to view a planting as a potential for one’s own endeavor and not just as a visual experience of the moment.

Based on my first visit, I thought 3 hours would more than suffice for a visit to Longwood Gardens. After more than 6 hours on this visit, I left feeling I needed to come back—at least once more—just to catch what I knew I had missed.

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Bob's Eye on the Northeast

Return of the Native

Our driving tour into the Northeast takes me back to lands where I was born, where I grew up and came of age. And during four decades of work as a technical writer living near Washington, D.C., I journeyed back here to report on meetings and conferences. These lands—the river valleys and rolling Appalachian hills, the cities and town and blue highways—are familiar. And yet I know time has changed these places from what I once knew, as time has also changed me.

So, in my blog posts on this trip, I’ll try to capture both a sense of these places as I remember them and my reactions to their “here and now.” And being me, I’ll probably be reflecting as well on what the inevitable differences between past and present portend.

In her first blog on this trip, Jennifer limns our itinerary. Check that out, if you made the mistake of starting with my post first, and settle back for a two-perspective tour of the land of the yankees.

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Jen's Eye on the Northeast

And We’re Off!

Or I should say, “We’re back!” It has certainly been a while since we posted about our 2019 exploration of Slovenia. We were so disappointed to cancel our planned sojourn in September-October 2021 to the southern coast of Spain—including a Basque Country tour—and to the British and Scottish Isles. We were also geared up to do a first-time  home exchange with our doppelgänger couple from Denmark (who have a second home in Marbala, Spain). While we have only a “first” home, we were bound and determined to leave it for a while, so we decided on a U.S. “tour du nord-est.”

This Northeast is less familiar to me than the South. For me and my family, vacations typically meant heading to the beach or to the Great Smokey Mountains, which still call up vivid memories of Tweetsie Railroad and the politically incorrect Indians jumping on board and scaring us little kids to death! The beach trips were many, including Myrtle and Carolina Beaches, Emerald Isle, and the Outer Banks. So heading north is different for me.

Of the two of us, I am “new to the North,” while Bob is a returning native; he’s from the Hudson Valley area. And, God love him, he planned out our itinerary for the whole 3 weeks (I did talk over his shoulder of course), including securing us hotel and small-inn reservations and tickets to various events along the way.

So, I will be reporting as a novice to the Northeast and he as a prodigal son. You will thus get two perspectives, as usual. As I type this, we are at our first stop: Kennett Square, PA, the home of Longwood Gardens, which we’ll visit tomorrow, Our reservations for a tour of the N.C. Wyeth home and studio, associated with the Brandywine Art Museum, have been canceled due to flooding from Hurricane Ida. But I’m sure we’ll find a good alternative. From here, we’ll head north as follows:

  • Storm King Art Center & Harriman Park in Newburgh, NY
  • Newport RI, where we’ll get a narrated sightseeing cruise of Narragansett Bay and a Trolley Tour of Newport.
  • Wellfleet, MA,  and Cape Cod’s outer arm–we’ll walks along the Cape Cod National Seashore and biking along the Cape Cod trail.
  • Hyannis and Woodshole, MA (one of my favorite places in the world because I, like Seinfeld’s George, always wanted to be a marine biologist), with reservations for a whale watcher cruise.
  • Lincoln, NH, with activities TBD (any suggestions?)
  • Lenox, MA, with reservations for the Lenox Art Walk and guided tours of The Mount (Edith Wharton’s home) and the Norman Rockwell Museum.
  • Delaware Water Gap and a 10-mile kayaking trip.
  • Philadelphia, PA, with an Independence Hall guided tour and a Philadelphia sightseeing bus tour—I am a sucker for bus/trolley tours. We’re also visiting the Barnes Foundation Collection and doing a Spotlight Tour titled “Van Gogh and the Avant-Garde.

So, as you can see, much is planned. Check back here and see

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